{"version":"1.0","provider_name":"Digicult | Digital Art, Design and Culture","provider_url":"https:\/\/digicult.it\/it","title":"Sonarcinema 2008. Musica Per Gli Occhi &#8226; Digicult | Digital Art, Design and Culture","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"zB3XEwblbM\"><a href=\"https:\/\/digicult.it\/it\/digimag\/issue-036\/sonarcinema-2008-music-for-the-eyes\/\">Sonarcinema 2008. Musica Per Gli Occhi<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/digicult.it\/it\/digimag\/issue-036\/sonarcinema-2008-music-for-the-eyes\/embed\/#?secret=zB3XEwblbM\" width=\"600\" height=\"338\" title=\"&#8220;Sonarcinema 2008. Musica Per Gli Occhi&#8221; &#8212; Digicult | Digital Art, Design and Culture\" data-secret=\"zB3XEwblbM\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/digicult.it\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/digicult.it\/wp-content\/uploads\/2008\/07\/videoart_alessiogalbiati06.jpg","thumbnail_width":280,"thumbnail_height":210,"description":"[:en]The section of the S\u00f3nar of Barcelona dedicated to the seventh art, S\u00f3narCinema , was held for the eleventh time (the first season being held in 1998), during all the three days of the festival, from noon to 8 p.m., as usual at the Auditorium of the Centre de Cultura Contempor\u0088nia de Barcelona . [:it]Dalle 12 alle 20 per tutti e tre i giorni di durata del Festival, come sempre presso l'Auditorium del Centre de Cultura Contempor\u0088nia de Barcelona, ha preso forma per l'undicesima volta (la prima edizione \u008f del 1998) la sezione dedicata alla settima arte del Sonar di Barcellona, il Sonarcinema [:]"}