{"version":"1.0","provider_name":"Digicult | Digital Art, Design and Culture","provider_url":"https:\/\/digicult.it\/it","title":"L'ultima Cena: Souvenir Da Milano &#8226; Digicult | Digital Art, Design and Culture","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"vfnoEg23qS\"><a href=\"https:\/\/digicult.it\/it\/digimag\/issue-035\/the-last-supper-souvenir-from-milan\/\">L&#8217;ultima Cena: Souvenir Da Milano<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/digicult.it\/it\/digimag\/issue-035\/the-last-supper-souvenir-from-milan\/embed\/#?secret=vfnoEg23qS\" width=\"600\" height=\"338\" title=\"&#8220;L&#8217;ultima Cena: Souvenir Da Milano&#8221; &#8212; Digicult | Digital Art, Design and Culture\" data-secret=\"vfnoEg23qS\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/digicult.it\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/digicult.it\/wp-content\/uploads\/2008\/06\/videoart_claudiadalonzo03.jpg","thumbnail_width":280,"thumbnail_height":210,"description":"[:en]Behind the scenes there is a cultural turmoil of anxiety, trouble, phone calls, institutional activism (which characterizes me and has involved me a lot) to obtain from the Ministry the already granted and then revoked authorization to Greenaway to elaborate his reading, animated with lights and sounds, of Leonardo da Vinci's Last Supper, exactly like he admirably did with Rembrandt's Night Watch and he is going to do with Picasso's Guernica.' [:it]C'\u008f un retroscena culturale di ansie, di affanni, di telefonate, di attivismo istituzionale (che mi \u008f proprio e che mi ha fortemente coinvolto) per ottenere dal Ministero la gi\u0088 concessa, e poi ritirata, autorizzazione a Greenaway di elaborare la sua lettura, animata di luci e suoni, del Cenacolo di Leonardo, cos\" come fece mirabilmente con La Ronda di Notte di Rembrandt e sta per fare con Guernica di Picasso.'[:]"}