{"version":"1.0","provider_name":"Digicult | Digital Art, Design and Culture","provider_url":"https:\/\/digicult.it\/it","title":"Koan01+ootchio Paesaggi Da Un Futuro Passato &#8226; Digicult | Digital Art, Design and Culture","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"cUblKWnnDy\"><a href=\"https:\/\/digicult.it\/it\/digimag\/issue-035\/koan01ootchio-landscapes-from-a-past-future\/\">Koan01+ootchio Paesaggi Da Un Futuro Passato<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/digicult.it\/it\/digimag\/issue-035\/koan01ootchio-landscapes-from-a-past-future\/embed\/#?secret=cUblKWnnDy\" width=\"600\" height=\"338\" title=\"&#8220;Koan01+ootchio Paesaggi Da Un Futuro Passato&#8221; &#8212; Digicult | Digital Art, Design and Culture\" data-secret=\"cUblKWnnDy\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/digicult.it\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/digicult.it\/wp-content\/uploads\/2008\/06\/audiovideo_giuliasimi01.jpg","thumbnail_width":280,"thumbnail_height":210,"description":"[:en]After three editions dedicated to great masters such as Cunningham, Glass and Bertolucci, the fourth edition of FUTURO PRESENTE festival opens up to the broader theme of the links between arts and new technologies: the legacy of the great experimenters, the dreams and utopias of the greatest twentieth-century protagonists revised and developed by artists who employ the latest technologies as lenses through which to observe and shape the world. [:it]Dopo tre edizioni dedicate a grandi maestri come Cunningham, Glass e Bertolucci, la quarta edizione del Festival FUTUROPRESENTE si apre a un tema pi\u009d ampio, quello del rapporto tra arti e nuove tecnologie: l'eredit\u0088 dei grandi sperimentatori, i sogni e le utopie dei pi\u009d grandi interpreti del Novecento rielaborate e portate avanti da artisti che fanno delle tecnologie del nostro tempo le loro lenti per osservare e plasmare il mondo. [:]"}