{"version":"1.0","provider_name":"Digicult | Digital Art, Design and Culture","provider_url":"https:\/\/digicult.it\/it","title":"L'occhio Delle Donne &#8226; Digicult | Digital Art, Design and Culture","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"HGCz395lt6\"><a href=\"https:\/\/digicult.it\/it\/digimag\/issue-032\/the-eye-of-women\/\">L&#8217;occhio Delle Donne<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/digicult.it\/it\/digimag\/issue-032\/the-eye-of-women\/embed\/#?secret=HGCz395lt6\" width=\"600\" height=\"338\" title=\"&#8220;L&#8217;occhio Delle Donne&#8221; &#8212; Digicult | Digital Art, Design and Culture\" data-secret=\"HGCz395lt6\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/digicult.it\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/digicult.it\/wp-content\/uploads\/2008\/03\/performing_massimoschiavoni07.jpg","thumbnail_width":280,"thumbnail_height":210,"description":"[:en]Roland Barthes highlights on 'La chambre claire' how photography is no more than an object of three practices where Operator is the photographer, Spectator is everybody and the last one is Spectrum, as this word keeps a certain relation with 'show'.[:it]Roland Barthes su La chambre claire evidenziava come la fotografia non \u008f altro che l'oggetto di tre pratiche dove l'Operator \u008f il fotografo, lo Spectator siamo tutti noi e quella cosa o colui che \u008f fotografato potremmo definirla lo Spectrum, dato che questa parola mantiene un certo rapporto con lo 'spettacolo'.[:]"}