{"version":"1.0","provider_name":"Digicult | Digital Art, Design and Culture","provider_url":"https:\/\/digicult.it\/it","title":"Andrea Marutti: Italian Experimental Underground &#8226; Digicult | Digital Art, Design and Culture","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"UoHGf1Eh5A\"><a href=\"https:\/\/digicult.it\/it\/digimag\/issue-030\/andrea-marutti-italian-experimental-underground\/\">Andrea Marutti: Italian Experimental Underground<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/digicult.it\/it\/digimag\/issue-030\/andrea-marutti-italian-experimental-underground\/embed\/#?secret=UoHGf1Eh5A\" width=\"600\" height=\"338\" title=\"&#8220;Andrea Marutti: Italian Experimental Underground&#8221; &#8212; Digicult | Digital Art, Design and Culture\" data-secret=\"UoHGf1Eh5A\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/digicult.it\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/digicult.it\/wp-content\/uploads\/2007\/12\/elettronica_bertramniessen07.jpg","thumbnail_width":280,"thumbnail_height":210,"description":"[:en]Digimag readers are probably bored by my long prologues on the reasons why I chose to interview someone. I'm unfortunately convinced, and I'm getting more and more into those convictions, that explaining the reasons behind articles is definitely one of the most important part of the article itself. Well, Some weeks ago I was at Torkiera in Milan (for those who missed it, Torkiera is one of the few spaces of the metropolis that is seriously promoting musical experimentation, among all its proposals). I was resonating with Marco Mancuso about potential interviews. Suddenly, I saw the table of Afe Records and I asked myself: Is it possible that we haven't interviewed Andrea Marutti yet, one of the most interesting key character of the experimental underground of the last ten years?. Yep, it is possible. So here I apology and remediate. [:it]Qualche settimana fa ero ad una serata Trok! al Torkiera di Milano (che per chi se lo fosse perso \u008f uno dei pochi spazi dell'infausta metropoli che, tra le altre cose, continua a promuovere seriamente la sperimentazione musicale) e stavo ragionando con Marco Mancuso sui potenziali intervistati. Ad un certo punto ho visto il banchetto di Afe Records e mi sono chiesto: 'Possibile che non abbiamo ancora intervistato Andrea Marutti, uno dei personaggi chiave dell'underground sperimentale negli ultimi dieci anni?'. Si, \u008f possibile. Quindi qua faccio ammenda e rimedio.[:]"}