{"version":"1.0","provider_name":"Digicult | Digital Art, Design and Culture","provider_url":"https:\/\/digicult.it\/it","title":"La Vendetta Di Nico & The Vascellaris &#8226; Digicult | Digital Art, Design and Culture","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"w1OSUCiWZI\"><a href=\"https:\/\/digicult.it\/it\/digimag\/issue-027\/the-revenge-of-nico-the-vascellaris\/\">La Vendetta Di Nico &#038; The Vascellaris<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/digicult.it\/it\/digimag\/issue-027\/the-revenge-of-nico-the-vascellaris\/embed\/#?secret=w1OSUCiWZI\" width=\"600\" height=\"338\" title=\"&#8220;La Vendetta Di Nico &#038; The Vascellaris&#8221; &#8212; Digicult | Digital Art, Design and Culture\" data-secret=\"w1OSUCiWZI\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/digicult.it\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/digicult.it\/wp-content\/uploads\/2007\/09\/performing_massimoschiavoni06.jpg","thumbnail_width":280,"thumbnail_height":210,"description":"[:en]He's from Vittorio Veneto the most interesting, charismatic and eclectic thirty-year-old of the Italian art, and he never failed. Nico Vascellari made his name at the design department of Fabrica and at the Superior Course of Visual Art of the Antonio Ratti's Foundation to turn into the winner of the International Prize of the Performance of Trento .[:it]Viene da Vittorio Veneto il trentenne pi\u009d interessante, carismatico ed eclettico dell'arte italiana, e lui finora non ha sbagliato un colpo. Nico Vascellari si \u008f fatto le ossa al dipartimento design di Fabrica e al Corso Superiore di Arte Visiva della Fondazione Antonio Ratti per poi arrivare primo al Premio Internazionale della Performance di Trento.[:]"}