{"version":"1.0","provider_name":"Digicult | Digital Art, Design and Culture","provider_url":"https:\/\/digicult.it\/it","title":"L'autore Collettivo, La Memoria Condivisa &#8226; Digicult | Digital Art, Design and Culture","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"CC5vkkVw5L\"><a href=\"https:\/\/digicult.it\/it\/digimag\/issue-027\/collective-author-shared-memory\/\">L&#8217;autore Collettivo, La Memoria Condivisa<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/digicult.it\/it\/digimag\/issue-027\/collective-author-shared-memory\/embed\/#?secret=CC5vkkVw5L\" width=\"600\" height=\"338\" title=\"&#8220;L&#8217;autore Collettivo, La Memoria Condivisa&#8221; &#8212; Digicult | Digital Art, Design and Culture\" data-secret=\"CC5vkkVw5L\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/digicult.it\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/digicult.it\/wp-content\/uploads\/2007\/09\/Collective-Author.jpg","thumbnail_width":280,"thumbnail_height":210,"description":"[:en]An lightning text is \" Post dramatic Theatre ' by Hans-Thies Lehmann , that faces the changes of the theatre and its fruition in the contemporary theatre, transformations often marked by hybridizations with new media. We must remember that theatre has always been related to the 'scene machine', that never hesitated to exploit the available technology of every \u00e9poque. [:it]Un testo illuminante \u008f Postdramatic Theatre di Hans-Thies Lehmann, che affronta le mutazioni del teatro e della sua fruizione nel teatro contemporaneo, mutazioni che spesso sono state segnate daibridazioni con i nuovi media.[:]"}