{"version":"1.0","provider_name":"Digicult | Digital Art, Design and Culture","provider_url":"https:\/\/digicult.it\/it","title":"Software Art Space. Ma Quale Software Art ?!? &#8226; Digicult | Digital Art, Design and Culture","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"tqhszdJUr0\"><a href=\"https:\/\/digicult.it\/it\/digimag\/issue-026\/software-art-space-software-art\/\">Software Art Space. Ma Quale Software Art ?!?<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/digicult.it\/it\/digimag\/issue-026\/software-art-space-software-art\/embed\/#?secret=tqhszdJUr0\" width=\"600\" height=\"338\" title=\"&#8220;Software Art Space. Ma Quale Software Art ?!?&#8221; &#8212; Digicult | Digital Art, Design and Culture\" data-secret=\"tqhszdJUr0\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/digicult.it\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/digicult.it\/wp-content\/uploads\/2007\/07\/newmedia_mk01.jpg","thumbnail_width":280,"thumbnail_height":210,"description":"[:en]You can bet on it. As soon as the news gets around through reference mailing-lists, word of mouth, international festivals, interviews by the most acclaimed critic or curator of the moment, infinite will be the praises raised to Software Art Space ( www.softwareartspace.com ), the second operation performed by Steven Sacks, founder of the phantomatic Bitforms gallery: digital in conception, but with a physical (micro) headquarter in New York. In that same city and neighborhood, Chelsea, in which an apparently infinite army of galleries and exhibition spaces devoted to contemporary arts seem to be struggling to be part of the quadrangle between 4th and 5th streets, determining the destinies of the international art market.[:it]C'\u008f da scommetterci. Non appena si diffonder\u0088 la voce, attraverso i consueti canali tipo mailing lists di riferimento, passaparola, festival internazionali, interviste da parte del critico e curatore d'arte prezzolato di turno, infinite saranno le lodi che si sprecheranno per Software Art Space (www.softwareartspace.com), seconda operazione (ma esistente gi\u0088 da almeno un anno e mezzo) del furbissimo Steven Sacks, fondatore della fantomatica galleria Bitforms di concezione digitale ma con (micro) sede fisica e concreta a New York.[:]"}