{"version":"1.0","provider_name":"Digicult | Digital Art, Design and Culture","provider_url":"https:\/\/digicult.it\/it","title":"Kurt Hentschlager. Feed: Il Collasso Dello Spazio Visibile &#8226; Digicult | Digital Art, Design and Culture","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"0dVZx5WzOG\"><a href=\"https:\/\/digicult.it\/it\/digimag\/issue-026\/feed-visible-space-collapse\/\">Kurt Hentschlager. Feed: Il Collasso Dello Spazio Visibile<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/digicult.it\/it\/digimag\/issue-026\/feed-visible-space-collapse\/embed\/#?secret=0dVZx5WzOG\" width=\"600\" height=\"338\" title=\"&#8220;Kurt Hentschlager. Feed: Il Collasso Dello Spazio Visibile&#8221; &#8212; Digicult | Digital Art, Design and Culture\" data-secret=\"0dVZx5WzOG\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/digicult.it\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/digicult.it\/wp-content\/uploads\/2007\/07\/audiovideo_mk01.jpg","thumbnail_width":280,"thumbnail_height":210,"description":"[:en]Feed, an audiovisual performance on sensorial, spatialized, electronic experimentation produced by austrin artist Kurt Hentschlager ( for the ones that don't know him, he, together with Ulf Langheinrich, is one of the two souls of Granular Synthesis) is, at this time, a project that is unique in its genre, outside of the aesthetic and technical languages currently spoken in the contemporary world of performances and multimedia installations. There's really nothing to discuss: opinions are in total accordance among audience and critics[:it]Feed, performance audiovisiva di sperimentazionale elettronica sensoriale spazializzata, dell'artista austriaco Kurt Hentschlager (una delle due anime dei Granular Synthesis per chi non lo conoscesse) \u008f al momento un progetto unico nel suo genere, al di fuori dei comuni linguaggi estetici e tecnici nell'ambito delle performance e delle installazioni multimediali pi\u009d attuali. Su questo c'\u008f per una volta poco da discutere, l'opinione \u008f unanime e concorde da parte di pubblico e critica. [:]"}