{"version":"1.0","provider_name":"Digicult | Digital Art, Design and Culture","provider_url":"https:\/\/digicult.it\/it","title":"Plugin Art &#8226; Digicult | Digital Art, Design and Culture","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"sBk2mivHw7\"><a href=\"https:\/\/digicult.it\/it\/digimag\/issue-025\/plugin-art\/\">Plugin Art<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/digicult.it\/it\/digimag\/issue-025\/plugin-art\/embed\/#?secret=sBk2mivHw7\" width=\"600\" height=\"338\" title=\"&#8220;Plugin Art&#8221; &#8212; Digicult | Digital Art, Design and Culture\" data-secret=\"sBk2mivHw7\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/digicult.it\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/digicult.it\/wp-content\/uploads\/2007\/05\/Plugin-Art.jpg","thumbnail_width":280,"thumbnail_height":210,"description":"Una delle strategie pi\u009d amate dagli artisti contemporanei \u008f ormai da tempo l'invasione di contesti inediti. Stanca di starsene confinata negli spazi deputati, l'arte si \u008f infiltrata nei luoghi pi\u009d disparati, contaminando la quotidianit\u0088, insediandosi negli interstizi della vita di ogni giorno, nascosta tra luoghi, oggetti e attivit\u0088 comuni. Il primo luogo di conquista fu la strada, poi vennero le case, i supermercati, le stazioni e gli aeroporti. E, ancora, i bar, le discoteche, i cartelloni pubblicitari e i vestiti. One of the most loved strategy of nowadays artists is the invasion of different contexts. Tired of being contained by dedicated spaces, art is now inside the most varied places, contaminating the everyday life, entering the empty spaces of our lives, the common objects and activities. The first conquer has been the streets, then houses, supermarkets, stations and airports. And again bars, discos, ads and dresses."}