{"version":"1.0","provider_name":"Digicult | Digital Art, Design and Culture","provider_url":"https:\/\/digicult.it\/it","title":"Tutto Questo E' Beautiful Untrue People &#8226; Digicult | Digital Art, Design and Culture","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"mwqMe5EBW2\"><a href=\"https:\/\/digicult.it\/it\/digimag\/issue-024\/all-this-is-beautiful-untrue-people\/\">Tutto Questo E&#8217; Beautiful Untrue People<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/digicult.it\/it\/digimag\/issue-024\/all-this-is-beautiful-untrue-people\/embed\/#?secret=mwqMe5EBW2\" width=\"600\" height=\"338\" title=\"&#8220;Tutto Questo E&#8217; Beautiful Untrue People&#8221; &#8212; Digicult | Digital Art, Design and Culture\" data-secret=\"mwqMe5EBW2\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/digicult.it\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/digicult.it\/wp-content\/uploads\/2007\/04\/performing_massimoschiavoni01.jpg","thumbnail_width":280,"thumbnail_height":210,"description":"[:en]We are speaking of new narrative forms at the dawn of the new millennium, evoking in their lines a Colaiacomo of the previous millennium. It deals with hybrid, social and globalized forms using all kind of mass media in order to convey a new more fashionable style, somewhat icy and minimal. A style that is Italian for its creativity, universal for its normality. An interview with Samantha Stella and Sergio Frazzingaro, the creators of the project 'Corpinudi', to know more about their work, symbol, in the last years, of the real Italian style as regards the new international art research. [:it]Sono forme narrative di inizio millennio, rievocando fra le righe una Colaiacomo di fine millennio, forme ibride e transmediali, sociali e globalizzate, per un nuovo stile pi\u009d fashion, glaciale e minimale ; italiano per creativit\u0088 universale per normalit\u0088. A parlarci del suo lavoro \u008f Samantha Stella che insieme a Sergio Frazzingaro vivono nel e del progetto Corpicrudi, negli ultimi anni diventato vero italian style per quel che riguarda la nuova ricerca artistica internazionale. [:]"}