{"version":"1.0","provider_name":"Digicult | Digital Art, Design and Culture","provider_url":"https:\/\/digicult.it\/it","title":"John Duncan, La Musica Dell'invisibile &#8226; Digicult | Digital Art, Design and Culture","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"CEnmSsmgHB\"><a href=\"https:\/\/digicult.it\/it\/digimag\/issue-021\/john-duncan-music-of-invisible\/\">John Duncan, La Musica Dell&#8217;invisibile<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/digicult.it\/it\/digimag\/issue-021\/john-duncan-music-of-invisible\/embed\/#?secret=CEnmSsmgHB\" width=\"600\" height=\"338\" title=\"&#8220;John Duncan, La Musica Dell&#8217;invisibile&#8221; &#8212; Digicult | Digital Art, Design and Culture\" data-secret=\"CEnmSsmgHB\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/digicult.it\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/digicult.it\/wp-content\/uploads\/2007\/01\/elettronica_silviabianchi01.jpg","thumbnail_width":280,"thumbnail_height":210,"description":"[:en]Something Like Seeing in the Dark is the title of world premiere sonic performance, realized especially for Netmage 07 by John Duncan e Leif Elggren. John Duncan, American by origin, though stateless resident of countless countries (over six years in Japan, six months in Sweden, more than a decade in Italy, while maintaining citizenship in the strange kingdom of Elgaland-Vargaland) distills his experiences in ways that go far beyond the limits of sound-art. [:it]Something Like Seeing in the Dark \u008f il titolo dell' inedita performance sonica realizzata da John Duncan e Leif Elggren appositamente per Netmage 07. John Duncan, statunitense di origine, ma apolide e ospite di innumerevoli stati distilla la sua esperienza che sarebbe riduttivo confinare al genere della sound-art.[:]"}