{"version":"1.0","provider_name":"Digicult | Digital Art, Design and Culture","provider_url":"https:\/\/digicult.it\/it","title":"Avit C23, Pixels Want To Be Trusted &#8226; Digicult | Digital Art, Design and Culture","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"CcX7kIveEF\"><a href=\"https:\/\/digicult.it\/it\/digimag\/issue-021\/avit-c23-pixels-want-to-be-trusted\/\">Avit C23, Pixels Want To Be Trusted<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/digicult.it\/it\/digimag\/issue-021\/avit-c23-pixels-want-to-be-trusted\/embed\/#?secret=CcX7kIveEF\" width=\"600\" height=\"338\" title=\"&#8220;Avit C23, Pixels Want To Be Trusted&#8221; &#8212; Digicult | Digital Art, Design and Culture\" data-secret=\"CcX7kIveEF\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/digicult.it\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/digicult.it\/wp-content\/uploads\/2007\/01\/audiovideo_silviabianchi01.jpg","thumbnail_width":280,"thumbnail_height":210,"description":"[:en]The second edition of Avit C23 took place in Berlin from the 27 th to the 30 of January together with the 23 rd annual hacking conference: Computer Chaos Conference. The event, organised by the new association Visual Berlin, gathering from less than a year, video artists active locally, configured as an exchange moment between European realities (and not only) active within visual experimentation and as a confrontation with the wide computer addicted community gathered in Berlin on the occasion of the Chaos Conference [:it]La seconda edizione di Avit C23 si \u008f tenuta a Berlino dal 27 al 30 dello scorso gennaio in concomitanza con la 23 esima conferenza annuale di hacking Computer Chaos Conference. La manifestazione, realizzata della neonata associazione Visual Berlin, che raccoglie da poco pi\u009d di un anno i video artisti attivi sul territorio locale, si \u008f configurata come momento di scambio tra le realt\u0088 europee (e non solo) attive nel campo della sperimentazione visuale e come un confronto con la pi\u009d ampia comunit\u0088 di hacker[:]"}