{"version":"1.0","provider_name":"Digicult | Digital Art, Design and Culture","provider_url":"https:\/\/digicult.it\/it","title":"Semantic Vjing &#8226; Digicult | Digital Art, Design and Culture","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"V37TFrUISL\"><a href=\"https:\/\/digicult.it\/it\/digimag\/issue-018\/semantic-vjing\/\">Semantic Vjing<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/digicult.it\/it\/digimag\/issue-018\/semantic-vjing\/embed\/#?secret=V37TFrUISL\" width=\"600\" height=\"338\" title=\"&#8220;Semantic Vjing&#8221; &#8212; Digicult | Digital Art, Design and Culture\" data-secret=\"V37TFrUISL\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/digicult.it\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/digicult.it\/wp-content\/uploads\/2006\/10\/netart_silviabianchi04.jpg","thumbnail_width":280,"thumbnail_height":210,"description":"[:en]The number of images surrounding us is everyday increasing in events and place of every kind. Sometimes probably you have thought about the existence of a secrete meaning behind the images that are projected on screens of club and festivals and about that meaning construction[:it]Guardandoci intorno non possiamo non osservare che la quantit\u0088 di immagini in cui siamo immersi aumenta di giorno in giorno all'interno di eventi di ogni sorta. In particolar modo, all'interno di mondo come l'elettronica audiovisiva live e il vjing, qualcuno di voi si sar\u0088 forse chiesto attraverso quale percorso vengono alla luce le immagini che passano sugli schermi di club e festival di tutto il mondo, se hanno un qualche significato, se un filo conduttore si nasconde dietro a quel flusso incontrollabile di impulsi visivi.[:]"}