{"version":"1.0","provider_name":"Digicult | Digital Art, Design and Culture","provider_url":"https:\/\/digicult.it\/it","title":"Historia Vjing: Annet Dekker &#8226; Digicult | Digital Art, Design and Culture","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"hDHE6RHfLF\"><a href=\"https:\/\/digicult.it\/it\/digimag\/issue-017\/historia-vjing-annet-dekker\/\">Historia Vjing: Annet Dekker<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/digicult.it\/it\/digimag\/issue-017\/historia-vjing-annet-dekker\/embed\/#?secret=hDHE6RHfLF\" width=\"600\" height=\"338\" title=\"&#8220;Historia Vjing: Annet Dekker&#8221; &#8212; Digicult | Digital Art, Design and Culture\" data-secret=\"hDHE6RHfLF\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/digicult.it\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/digicult.it\/wp-content\/uploads\/2006\/09\/audiovideo_claudiadalonso06.jpg","thumbnail_width":280,"thumbnail_height":210,"description":"[:en]You have to be keen to historically and critically approach current vjing world. You must know what are the most used equipments and technologies, the real original artists of this crowed artistic scene, and, last but not least, you must have the historical sense[:it]La studiosa olandese Annett Dekker rappresenta un'eccezione alla consueta miopia teorica. La Dekker fa parte dello staff del Montevideo e negli ultimi anni ha pubblicato numerosi articoli sul vjing che si contraddistinguono per l'intento evidente di costruire una storia del movimento, tessendo allo stesso tempo una rete di collegamenti tra le sperimentazioni nel campo video e gli ambienti underground degli anni 80' e 90', l'estetica imposta da MTV e la scena club [:]"}