{"version":"1.0","provider_name":"Digicult | Digital Art, Design and Culture","provider_url":"https:\/\/digicult.it\/it","title":"L'immagine Danzante &#8226; Digicult | Digital Art, Design and Culture","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"SDfj4bzQq7\"><a href=\"https:\/\/digicult.it\/it\/digimag\/issue-014\/the-dancing-image\/\">L&#8217;immagine Danzante<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/digicult.it\/it\/digimag\/issue-014\/the-dancing-image\/embed\/#?secret=SDfj4bzQq7\" width=\"600\" height=\"338\" title=\"&#8220;L&#8217;immagine Danzante&#8221; &#8212; Digicult | Digital Art, Design and Culture\" data-secret=\"SDfj4bzQq7\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/digicult.it\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/digicult.it\/wp-content\/uploads\/2006\/05\/performing_massimoschiavoni03.jpg","thumbnail_width":280,"thumbnail_height":210,"description":"[:en]Talking about video dance today is no longer 'complicated' as it was some years ago, it is no longer a place alien to the most significant visual arts, and it is no longer a 'new vanguard' or just an \u00e9lite contemporaneity[:it]Parlare di danza in video oggi non \u008f pi\u009d complicato come qualche anno fa, non \u008f pi\u009d un luogo estraneo dalle arti visive pi\u009d significative, non \u008f pi\u009d nuova avanguardia. C'\u008f gi\u0088 una storia documentata da libri, VHS e DVD, c'\u008f gi\u0088 un racconto, un percorso nato inconsapevolmente pi\u009d o meno con il cinema, continuato con la televisione e il video fino a proclamarsi negli anni settanta in America con Doris Chase. Evolutosi infine con l'interattivit\u0088 ed il web[:]"}