{"version":"1.0","provider_name":"Digicult | Digital Art, Design and Culture","provider_url":"https:\/\/digicult.it\/it","title":"Thomas Brinkmann, L'antidivo dell'elettronica &#8226; Digicult | Digital Art, Design and Culture","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"MRq0V669Jg\"><a href=\"https:\/\/digicult.it\/it\/digimag\/issue-010\/thomas-brinkmann-electronic-antistar\/\">Thomas Brinkmann, L&#8217;antidivo dell&#8217;elettronica<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/digicult.it\/it\/digimag\/issue-010\/thomas-brinkmann-electronic-antistar\/embed\/#?secret=MRq0V669Jg\" width=\"600\" height=\"338\" title=\"&#8220;Thomas Brinkmann, L&#8217;antidivo dell&#8217;elettronica&#8221; &#8212; Digicult | Digital Art, Design and Culture\" data-secret=\"MRq0V669Jg\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/digicult.it\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/digicult.it\/wp-content\/uploads\/2005\/12\/elettronica_mk03.jpg","thumbnail_width":280,"thumbnail_height":210,"description":"[:en]The two things most of the people knows about Thomas Brinkmann: the first is that the artist is one of the brightest musicians in the so called minimal techno scene of the last 20 years, the second one, is that he has always been dar from the worlwide tour, from the huge cache and from the more or less commercial production[:it]Thomas Brinkmann \u008f ci\u0098 che si pu\u0098 considerare l'antidivo della musica elettronica moderna, sempre cos\" autocelebrativa e di culto, tipico personaggio pionieristico che da sempre lavora nell'ombra, molto meno conosciuto di tanti altri suoi celebrati colleghi, ma proprio per questo pi\u009d affascinante e sicuramente influente su intere generazioni di musicisti techno[:]"}