{"version":"1.0","provider_name":"Digicult | Digital Art, Design and Culture","provider_url":"https:\/\/digicult.it\/it","title":"Ryoji Ikeda - Formula &#8226; Digicult | Digital Art, Design and Culture","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"4cC4OI1q4v\"><a href=\"https:\/\/digicult.it\/it\/digimag\/issue-001\/italiano-ryoji-ikeda-formula\/\">Ryoji Ikeda &#8211; Formula<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/digicult.it\/it\/digimag\/issue-001\/italiano-ryoji-ikeda-formula\/embed\/#?secret=4cC4OI1q4v\" width=\"600\" height=\"338\" title=\"&#8220;Ryoji Ikeda &#8211; Formula&#8221; &#8212; Digicult | Digital Art, Design and Culture\" data-secret=\"4cC4OI1q4v\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/digicult.it\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/digicult.it\/wp-content\/uploads\/2005\/06\/Italiano-Ryoji-Ikeda-\u2013-Formula.gif","thumbnail_width":280,"thumbnail_height":210,"description":"[:it]Leo Learchi ci parla di Formula di Ryoji Ikeda che si dispiega come la rappresentazione matematica della vita, algoritmo poetico, ultraminimale, atroce e umanissimo inteso a costruire un ordine che la mnatura stessa non ha bisogno di oggettivare. Nessuna immagine accompagna le otto composizioni audio, ritengo per\u0098 che si tratti di un voluto costante monocromo nero piuttosto che di vera assenza di immagine.[:]"}