{"version":"1.0","provider_name":"Digicult | Digital Art, Design and Culture","provider_url":"https:\/\/digicult.it\/it","title":"\u201cCrepuscolo\u201d, la supremazia tecnologica delle vedute aeree &#8226; Digicult | Digital Art, Design and Culture","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"GmW5pZlb4e\"><a href=\"https:\/\/digicult.it\/it\/digimag\/crepuscolo-the-technological-supremacy-of-aerial-views\/\">\u201cCrepuscolo\u201d, la supremazia tecnologica delle vedute aeree<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/digicult.it\/it\/digimag\/crepuscolo-the-technological-supremacy-of-aerial-views\/embed\/#?secret=GmW5pZlb4e\" width=\"600\" height=\"338\" title=\"&#8220;\u201cCrepuscolo\u201d, la supremazia tecnologica delle vedute aeree&#8221; &#8212; Digicult | Digital Art, Design and Culture\" data-secret=\"GmW5pZlb4e\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/digicult.it\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/digicult.it\/wp-content\/uploads\/2020\/10\/coverCrepuscolo.jpg","thumbnail_width":1400,"thumbnail_height":600,"description":"Molte stelle sono precipitate, Una parte del sistema planetario \u00e8 in frantumi, Poich\u00e9 il mio corpo \u00e8 cos\u00ec lacerato E. de Martino, Il mondo magico, Boringhieri, 1973 Crepuscolo (TRAMONTO) \u00e8 una mostra collettiva che raccoglie racconti secolari e pratiche artistiche contemporanee. Il progetto curatoriale ripercorre la leggenda della traduzione della Santa Casa di Loreto (attraversata [&hellip;]"}