{"version":"1.0","provider_name":"Digicult | Digital Art, Design and Culture","provider_url":"https:\/\/digicult.it\/it","title":"Il Softspace Di Usman Haque. Coreografie Di Sensazioni &#8226; Digicult | Digital Art, Design and Culture","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"HBU6UzOFAQ\"><a href=\"https:\/\/digicult.it\/it\/design\/the-softspace-of-usman-haque-choreographies-of-sensations\/\">Il Softspace Di Usman Haque. Coreografie Di Sensazioni<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/digicult.it\/it\/design\/the-softspace-of-usman-haque-choreographies-of-sensations\/embed\/#?secret=HBU6UzOFAQ\" width=\"600\" height=\"338\" title=\"&#8220;Il Softspace Di Usman Haque. Coreografie Di Sensazioni&#8221; &#8212; Digicult | Digital Art, Design and Culture\" data-secret=\"HBU6UzOFAQ\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/digicult.it\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/digicult.it\/wp-content\/uploads\/2010\/05\/numero54_The-Softspace-01.png","thumbnail_width":680,"thumbnail_height":496,"description":"[:en]Architecture, according to Vitruvius, is the sum of three factors: utilitas, venustas and firmitas. Usefulness and beauty are for sure features that cannot be renounced in order not to cross the border into sculpture or into the simple and unfortunately rampant building industry. But what about permanence? Is it truly something that cannot be renounced ? Is it truly a must that an architectural work has necessarily to be solid and lasting over time ? When, on the contrary, a work is ephemeral, short-lived , transient cannot belong anymore to the domain of architecture ? And if the term 'ephemeral' rather than bearing the negative connotation of something fragile and subject to speculation, could instead carry a different meaning?[:it]Una possibile risposta a queste domande \u008f offerta da Usman Haque, architetto e artista che dirige un interessante gruppo di ricerca con sede in Gran Bretagna. Inglese di nascita ma pakistano da parte di padre, Usman ha avuto l'opportunit\u0088 di crescere a cavallo tra due culture e anche grazie a questo \u008f riuscito a sviluppare un punto di vista personale muovendosi nella spaccatura che si \u008f aperta tra le societ\u0088 tecnologicamente pi\u009d avanzate e quelle rimaste maggiormente legate a valori tradizionali. Un punto di vista che trov\u0098 ulteriori elementi di cui nutrirsi nel corso delle molteplici esperienze vissute a spasso per il mondo e in particolare durante gli anni passati in Giappone. [:]"}