{"version":"1.0","provider_name":"Digicult | Digital Art, Design and Culture","provider_url":"https:\/\/digicult.it\/it","title":"Sonia Cillari: Il Corpo Come Interfaccia &#8226; Digicult | Digital Art, Design and Culture","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"xhz0jnjFzy\"><a href=\"https:\/\/digicult.it\/it\/design\/sonia-cillari-body-as-interface\/\">Sonia Cillari: Il Corpo Come Interfaccia<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/digicult.it\/it\/design\/sonia-cillari-body-as-interface\/embed\/#?secret=xhz0jnjFzy\" width=\"600\" height=\"338\" title=\"&#8220;Sonia Cillari: Il Corpo Come Interfaccia&#8221; &#8212; Digicult | Digital Art, Design and Culture\" data-secret=\"xhz0jnjFzy\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/digicult.it\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/digicult.it\/wp-content\/uploads\/2007\/07\/Sonia-Cillari.jpg","thumbnail_width":280,"thumbnail_height":210,"description":"[:en]If you are close to me , created in 2006, is requested by many. Festivals, digital art and new media exhibitions try to obtain it, though it is not always easy. Sonia Cillari , the author, says this interactive installation\/performance is so unique and expensive that its duplication in order to have it in different places at the same time is not advisable l'autrice. A sensitive platform on which the visitors place themselves to become actors, performers and audience of their own actions at the same time. The actions turn into geometric shapes and lines around their bodies and movements and can be seen thanks to the huge projections on the surrounding walls. [:it]Se mi sei vicino (If you are close to me), opera del 2006, la chiedono in molti. I festivals, le rassegne di arte digitale e nuovi media se la contendono, ma non sempre \u008f facile averla. Sonia Cillari, l'autrice, racconta che l'unit\u0088 messa a punto per questa installazione interattiva\/performance \u008f un pezzo unico e cos\" costoso da scoraggiare una possibile duplicazione per portare il lavoro in pi\u009d luoghi contemporaneamente.[:]"}