{"version":"1.0","provider_name":"Digicult | Digital Art, Design and Culture","provider_url":"https:\/\/digicult.it\/it","title":"Rafael Lozano-Hemmer: Relational Architecture &#8226; Digicult | Digital Art, Design and Culture","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"KgkZZU9Hnh\"><a href=\"https:\/\/digicult.it\/it\/design\/rafael-lozano-hemmer-relational-architecture\/\">Rafael Lozano-Hemmer: Relational Architecture<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/digicult.it\/it\/design\/rafael-lozano-hemmer-relational-architecture\/embed\/#?secret=KgkZZU9Hnh\" width=\"600\" height=\"338\" title=\"&#8220;Rafael Lozano-Hemmer: Relational Architecture&#8221; &#8212; Digicult | Digital Art, Design and Culture\" data-secret=\"KgkZZU9Hnh\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/digicult.it\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/digicult.it\/wp-content\/uploads\/2007\/10\/Rafael-Lozano-Hemmer.jpg","thumbnail_width":280,"thumbnail_height":210,"description":"[:en]Mexico, Rafael Lozano-Hemmer's homeland, made its debut at the 52nd edition of the Venice Biennale with the artist's work exhibition. Rafael Lozano-Hemmer is well-known for his big installations used by the most various media and for his custom-made interfaces. In other words this artist loves the active interaction of the public. Robot installations, computers, video projections, sensors, lights (and shadows) and sounds, these are the means used for the creation of works. His works are famous because all around the world they can temporarily change space perceptions and their relations with people living there. Or they can draw attention to important issues such as the continuous control we are subjected. [:it]Il Messico, suo paese natale, ha esordito alla 52ma Biennale di Venezia, con una sua personale. Artista noto per realizzare spesso larghe installazioni che utilizzano i media pi\u009d disparati e interfacce custom-made[:]"}