{"version":"1.0","provider_name":"Digicult | Digital Art, Design and Culture","provider_url":"https:\/\/digicult.it\/it","title":"Intelligenze Fluttuanti &#8226; Digicult | Digital Art, Design and Culture","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"a0klTqCjcz\"><a href=\"https:\/\/digicult.it\/it\/design\/fluctuating-intelligences\/\">Intelligenze Fluttuanti<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/digicult.it\/it\/design\/fluctuating-intelligences\/embed\/#?secret=a0klTqCjcz\" width=\"600\" height=\"338\" title=\"&#8220;Intelligenze Fluttuanti&#8221; &#8212; Digicult | Digital Art, Design and Culture\" data-secret=\"a0klTqCjcz\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/digicult.it\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/digicult.it\/wp-content\/uploads\/2009\/12\/design_carlalangella05.jpg","thumbnail_width":500,"thumbnail_height":333,"description":"[:en]In the 'liquid society', as Zygmunt Bauman defines it in: 'Modus Vivendi. Hell and Utopia of the Liquid World', the structures that create the boundaries of space of behaviour, habits and social and individual forms, are dissolved, creating a chaotic and dynamic context in continuous transformation where contemporary men and women find themselves having to continuously and frenetically pass from social one role to another. Family, work, social life, are alternated until they overlap, despite having different needs and necessities that are often distant from each other. [:it]Nella 'societ\u0088 liquida', come la definisce Zygmunt Bauman in 'Modus Vivendi. Inferno e utopia del mondo liquido', le strutture che delimitano lo spazio dei comportamenti, delle abitudini e delle forme sociali e individuali si dissolvono, creando un contesto caotico e dinamico, in continua trasformazione in cui uomini e donne contemporanei si trovano a dovere passare, continuamente e freneticamente, da un ruolo sociale all'altro. Famiglia, lavoro, vita sociale si alternano, fino a sovrapporsi, pure avendo esigenze e bisogni spesso distanti l'uno dall'altro. [:]"}