{"version":"1.0","provider_name":"Digicult | Digital Art, Design and Culture","provider_url":"https:\/\/digicult.it\/it","title":"Radical Software: Women, Art & Computing 1960\u20131991 &#8226; Digicult | Digital Art, Design and Culture","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"AKmrnJIXQn\"><a href=\"https:\/\/digicult.it\/it\/articles\/art\/radical-software-women-art-computing-1960-1991-2\/\">Radical Software: Women, Art &#038; Computing 1960\u20131991<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/digicult.it\/it\/articles\/art\/radical-software-women-art-computing-1960-1991-2\/embed\/#?secret=AKmrnJIXQn\" width=\"600\" height=\"338\" title=\"&#8220;Radical Software: Women, Art &#038; Computing 1960\u20131991&#8221; &#8212; Digicult | Digital Art, Design and Culture\" data-secret=\"AKmrnJIXQn\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/digicult.it\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/digicult.it\/wp-content\/uploads\/2025\/04\/581725_a51f85ef5854f7e793072f255666f59f.png1920-1024x769.png","thumbnail_width":1024,"thumbnail_height":769,"description":"[:it]La\u00a0Kunsthalle\u00a0Wien presenta una nuova mostra\u00a0importante che analizza il ruolo pionieristico delle donne nell\u2019arte digitale. Organizzato in collaborazione con\u00a0il\u00a0Mudam\u00a0Luxembourg\u2013Mus\u00e9e d\u2019Art Moderne Grand-Duc Jean,\u00a0Radical Software: Women, Art & Computing 1960\u20131991\u00a0unisce pi\u00f9 di cento opere di cinquanta artisti, tra cui dipinti, sculture, installazioni, film, performance e molti disegni e testi generati al computer.[:]"}