{"version":"1.0","provider_name":"Digicult | Digital Art, Design and Culture","provider_url":"https:\/\/digicult.it\/it","title":"La fotografia alla prova dell\u2019astrazione &#8226; Digicult | Digital Art, Design and Culture","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"pp9OIxjoPJ\"><a href=\"https:\/\/digicult.it\/it\/art\/photography-to-the-test-of-abstraction\/\">La fotografia alla prova dell\u2019astrazione<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/digicult.it\/it\/art\/photography-to-the-test-of-abstraction\/embed\/#?secret=pp9OIxjoPJ\" width=\"600\" height=\"338\" title=\"&#8220;La fotografia alla prova dell\u2019astrazione&#8221; &#8212; Digicult | Digital Art, Design and Culture\" data-secret=\"pp9OIxjoPJ\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/digicult.it\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/digicult.it\/wp-content\/uploads\/2020\/09\/coverPhotography.jpg","thumbnail_width":1400,"thumbnail_height":600,"description":"[:en]For the fourth edition of the Normandy Impressionist Festival, the Fonds R\u00e9gional d\u2019Art Contemporain (Frac) Normandie Rouen, in conjunction with the Centre Photographique d\u2019\u00cele-de-France (CPIF) and the Micro Onde \u2014 Centre d\u2019Art de l\u2019Onde, is organising a programme of\u00a0three joint exhibitions\u00a0devoted to the question of\u00a0abstraction in the field of contemporary photography.\u00a0[:it]In occasione della quarta edizione del Normandy Impressionist Festival, il Fonds R\u00e9gional d\u2019Art Contemporain (Frac) Normandie Rouen, unitamente al Centre Photographique d\u2019\u00cele-de-France (CPIF) e al Micro Onde \u2014 Centre d\u2019Art de l\u2019Onde, sta organizzando un programma di tre mostre congiunte dedicate alla questione dell\u2019astrazione nell\u2019ambito della fotografia contemporanea.[:]"}