1.0Digicult | Digital Art, Design and Culturehttps://digicult.it/itrich600338<blockquote class="wp-embedded-content" data-secret="0JCVRutwrv"><a href="https://digicult.it/it/news/madatac-02/">Madatac 02</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://digicult.it/it/news/madatac-02/embed/#?secret=0JCVRutwrv" width="600" height="338" title="“Madatac 02” — Digicult | Digital Art, Design and Culture" data-secret="0JCVRutwrv" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://digicult.it/wp-includes/js/wp-embed.min.js </script> https://digicult.it/wp-content/uploads/2010/12/madatac.jpg480330Dopo le vette che la crisi economica ha sfiorato nel 2009, la prima edizione della mostra MADATAC ha portato come una ventata di sollievo. Basata sull'interscambio di esperienze e know how, la mostra MADATAC rappresenta un trampolino di lancio unico ed esclusivo per opere d'arte audiovisive all'avanguardia. At the height of the 2009 economic crisis, the first edition of MADATAC (Muestra Abierta de Arte Audiovisual Contemporáneo) came as a salutary shock. Based on the interchange of experience and know how, MADATAC is a unique and inclusive springboard for cutting edge audio-visual art; this year it's back…and stronger.