1.0Digicult | Digital Art, Design and Culturehttps://digicult.it/itrich600338<blockquote class="wp-embedded-content" data-secret="7YekxikV63"><a href="https://digicult.it/it/news/digital-incarnate/">Digital Incarnate</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://digicult.it/it/news/digital-incarnate/embed/#?secret=7YekxikV63" width="600" height="338" title="“Digital Incarnate” — Digicult | Digital Art, Design and Culture" data-secret="7YekxikV63" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://digicult.it/wp-includes/js/wp-embed.min.js </script> https://digicult.it/wp-content/uploads/2010/02/incarnate22.jpg447300Whether through motion capture, live processing, animation or other means of data visualization, the body is the referent and inspiration for many digital media artists working with interactive technologies. Digital Incarnate: The Body, Identity, and Interactive Media, is an investigation into this confluence, gazing through multiple lenses to explore the body and identity as they are transformed and represented through technological evolution. Whether through motion capture, live processing, animation or other means of data visualization, the body is the referent and inspiration for many digital media artists working with interactive technologies. Digital Incarnate: The Body, Identity, and Interactive Media, is an investigation into this confluence, gazing through multiple lenses to explore the body and identity as they are transformed and represented through technological evolution.