1.0Digicult | Digital Art, Design and Culturehttps://digicult.it/itrich600338<blockquote class="wp-embedded-content" data-secret="Yj9YqptTbS"><a href="https://digicult.it/it/digimag/issue-025/plugin-art/">Plugin Art</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://digicult.it/it/digimag/issue-025/plugin-art/embed/#?secret=Yj9YqptTbS" width="600" height="338" title="“Plugin Art” — Digicult | Digital Art, Design and Culture" data-secret="Yj9YqptTbS" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://digicult.it/wp-includes/js/wp-embed.min.js </script> https://digicult.it/wp-content/uploads/2007/05/Plugin-Art.jpg280210Una delle strategie pi amate dagli artisti contemporanei  ormai da tempo l'invasione di contesti inediti. Stanca di starsene confinata negli spazi deputati, l'arte si  infiltrata nei luoghi pi disparati, contaminando la quotidianitˆ, insediandosi negli interstizi della vita di ogni giorno, nascosta tra luoghi, oggetti e attivitˆ comuni. Il primo luogo di conquista fu la strada, poi vennero le case, i supermercati, le stazioni e gli aeroporti. E, ancora, i bar, le discoteche, i cartelloni pubblicitari e i vestiti. One of the most loved strategy of nowadays artists is the invasion of different contexts. Tired of being contained by dedicated spaces, art is now inside the most varied places, contaminating the everyday life, entering the empty spaces of our lives, the common objects and activities. The first conquer has been the streets, then houses, supermarkets, stations and airports. And again bars, discos, ads and dresses.