1.0Digicult | Digital Art, Design and Culturehttps://digicult.it/itrich600338<blockquote class="wp-embedded-content" data-secret="eNUrXOUwCH"><a href="https://digicult.it/it/articles/sound/sounds-like-her/">Sounds Like Her</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://digicult.it/it/articles/sound/sounds-like-her/embed/#?secret=eNUrXOUwCH" width="600" height="338" title="“Sounds Like Her” — Digicult | Digital Art, Design and Culture" data-secret="eNUrXOUwCH" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://digicult.it/wp-includes/js/wp-embed.min.js </script> https://digicult.it/wp-content/uploads/2017/10/cover-1.jpg1400600Curata da Christine Eyene, Sounds Like Her esplora e sfida gli approcci attuali alla sound art, mettendo in discussione le sue strutture patriarcali ed eurocentriche. La mostra rappresenta nuove prospettive, ridefinendo il modo in cui esperiamo la dinamica del suono come esemplificato nella pratica artistica di donne di diverse culture e identità di genere.