Interviews Archives • Page 3 of 40 • Digicult | Digital Art, Design and Culture

Score as a thinking tool. Interview with Samson Young

The work of Samson Young takes the form of different media, connecting music to visuality through video and drawing. Following a particular interest in composition, this interview permits an insight into scores as structuring and organizing tools of experience attempting to understand the contemporary social constrains and possibilities.... READ MORE...

The ethical shape of sensitive machines. Philip Beesley and Industry 4.0

Philip Beesley's research focuses on the issues of reactive and interactive systems. His impressive sculptures and installations have movements modelled on the behaviour of natural elements and a poetically high-tech aspect that is not attributable to any machine we may have previously experienced.... READ MORE...

Media Art and Art Market: an interview with Gerfried Stocker

As director of Ars Electronica Gerfried Stocker has a fundamental role in the promotion and creation of recognition of Media Art. The sociological aspect that determines this cultural field is recognised in this interview, which express hope about a fruitful dialogue between Media Art and contemporary art... READ MORE...

Data are not just numbers. Some “dear questions” to Giorgia Lupi

At seven and a half in the evening, BASE Milano main room is overwhelmed by people. And it continues to arrive. Everyone is here to see a lecture about data vis... READ MORE...

Disobedient innovation: alternative ways to the technological propaganda. Interview with Maria Roszkowska

Along with the opening of the last cycle of Non-compliant Futures Maria Roszkowska took part to the 13th edition of Mapping Festival in Geneva with the first solo show by Disnovation.org, the art collective initiated with Nicolas Maigret that is working at the boundaries between art, hacking and research.... READ MORE...

Meeting at the makerspace with living-textile inventor: Lining Yao

In the last years a new generation of researchers see objects and materials through a multiplicity of properties and features which open different ways to interact with them. They’ve realized that most of the matter is able to respond to energy sources. Lining Yao and her Tangible Media Group at MIT Media Lab have been growing Natto bacteria and exploring how they can be used as bio-actuators - making textile become “alive” reacting to a change of the environment.... READ MORE...

“What The Body Knows”: Mattia Casalegno meets Antonio Canova

In Mattia Casalegno’s most recent project, “What the Body Knows”, he reinterprets the work of Italian Neoclassic artist Antonio Canova. The exhibition in Bassano del Grappa, Italy runs through June 25th and features an immersive audiovisual installation and a series of new sculptures.... READ MORE...

Divine revenance. David Bowen’s Spacejunk

Watching David Bowen’s Spacejunk, you can’t help but feel a certain religious piety has formed in the gallery space. The 50 twigs, controlled by servo motors and mounted on thin but tall metal plinths, raise their arms in supplication, as space debris rises above the horizon.... READ MORE...

Shaping alternative futures. Interview with Pinar Yoldas

Introducing her work during a talk at the School of The Art Institute of Chicago in 2016, Pinar Yoldas lists among her research fields: synthetic biology, turbo capitalism, big data, CO2 emissions, nano medicine, climate changes, bio-accumulation, and post-humanism.... READ MORE...

Media Art and Art Market: an interview with Christiane Paul

Christiane Paul is a renown theoretician and curator who has largely treated arguments that embrace Media Art, Digital Art and the wide spectrum of sectors that relates art and technologies. She is currently associate professor at the School of Media Studies at The New School in New York: coined the term “neomateriality”, which can be considered as a central concept in the definition of certain touching points between the realm of contemporary art and the general understanding of Media Art.... READ MORE...

Wasting time on the internet. Interview with Kenneth Goldsmith

Kenneth Goldsmith is an artist and poet, well known internationally for being the founding editor of UbuWeb - the largest digital archive of contemporary art. The last August released his new book "Wasting time on the internet", a manifesto that shows "how our time on the internet is not really wasted but is quite productive and creative as he puts the experience in its proper theoretical and philosophical context.... READ MORE...

Lanfranco Aceti: empty spaces for new heretical art views

Pasquale Napolitano in conversation with Lanfranco Aceti about the politics of art production in current economic conditions within the EU, in the light of the edition of dOCUMENTA taking place in a symbolic place of the economic crisis: Athens. The project Empty Pr(oe)mises Lanfranco Aceti is curating right now is a laboratory of forms of resistance and resilience in which contemporary art becomes method of investigation and a vehicle to create new communities.... READ MORE...

Media Art and Art Market: an interview with Steve Fletcher

Steve Fletcher in conversation with Alessio Chierico about the role of Media Art and media artists in the contemporary art context and its market conditions, taking as an example the activity of the Carroll/Fletcher Gallery in London, one of the main referencing points of the contemporary art which emphasises the use of new technologies and committed to enquiries political and social topics.... READ MORE...

The never-ending performance that is living. An interview with Hugo Olim

The still image, which can be a photograph, or a frame of a video, or even a pixel, is a unity and as such it is a departing point for Hugo Olim’s artworks concept. Metaphorically, the still image, as is presented to us, results from a dialogue with sound from which it receives properties of rhythm and movement.... READ MORE...

Media Art and art market: an interview with Wolf Lieser

Since 1998 Wolf Lieser is curator and founder of the Digital Art Museum (DAM), an online museum which has being very active in supporting and promoting the history of Digital Art, since its very firsts experimentations in the end of 50's. In 2003 the museum started to be supported by a physical space: “DAM Gallery” where are regularly exhibited works that span all the categories from pioneers of the 60's till major artists of the last years.... READ MORE...

Terra0, the augmented self-owned forest

Terra0 is a project that has just been discussed at Transmediale, Berlin, during the panel Becoming Earth: Engineering Symbiotic Futures. The project, at his first steps of development, aims at the creation of the first self-owned augmented forest, by using the blockchain technology and the smart contracts.... READ MORE...

Media Art and Art Market: an interview with Annette Doms

With a background in art history, archaeology and psychology, Annette Doms is a specialist in Digital Art history and market. Her activity as curator and art historian, successively took on several directions: the constitution of an agency for art market solutions (ICAA) and the UNPAINTED art fair. This has been the first art fair specialised in Media Art, of which Annette Doms is co-founder and art director... READ MORE...

Jeroen Van Loon: the future is almost all temporary

With a degree in digital media design and a relatively short career which began no later than 2010, Jeroen Van Loon has shortly become one of the most interesting media artist internationally. His research is able to surprisingly and ironically integrate a critical approach to the use of technological tools - in particular the Internet, with a solid theoretical and conceptual framework. Such an approach results in the production of objects and installations that enter the exhibition space with disarming immediacy.  ... READ MORE...