Generative Art

Artificial Languages, the lingua franca of the Post Digital

Technology has revolutionised modern life at a global level, especially the written language where technology has had the biggest influence. In this article, Claire Burke explores the effect technology has had on human language and how coding and programming languages have made an impact on the creation of contemporary art.... READ MORE...

REFRESH02: “ #LAYERS_Contemporary Art in the Digital Era”

The second event of REFRESH is coming, an exhibition series that wants to research Italian contemporary art and offers an update on practices that confront with the issues, languages and forms emerged with the digital turn of the last twenty years. Curated by Fabio Paris and organised by iMAL, The exhibition presents 15 contemporary Italian artists in the attempt to present their work on an international platform.... READ MORE...

Artists and robots at Grand Palais in Paris

This exhibition is an opportunity to experience works of art produced with the help of increasingly sophisticated robots. Featuring works by some forty artists, it offers a gateway to an immersive and interactive digital world - an augmented body sensory experience that subverts our notions of space and time.... READ MORE...

Ian Cheng populates Serpentine Gallery with artificial life

The Serpentine Gallery is hosting first solo UK exhibition of artist Ian Cheng where visitors will have their first encounter with a sentient artwork. Cheng's work explores mutation, the history of human consciousness and our capacity to relate to change. Drawing on principles of video game design, and cognitive science, he develops live simulations and virtual ecosystems that self-evolve without authorial intent.... READ MORE...

Curating the HyperPavilion. Interview with Philippe Riss-Schmidt

Part of the 57th Venice Biennale, HyperPavilion presented a variety of site-specific projects, in which artists questioned both the consequences after the arrival of the digital, and the ongoing merging process between physical and virtual worlds. After the closing Donata Marletta reached the curator Philippe Riss-Schmidt to talk about this experience.... READ MORE...

Florian Hecker. Hallucination, Perspective, Synthesis

German artist Florian Hecker works with synthetic sounds, performances, and installations dealing with issues surrounding compositional developments in post-war modernity and late-19th-century psychophysics. For his new show, he has transformed Kunsthalle Wien's exhibition space into a stage for sound events that exceed linguistic description and categorization.... READ MORE...

Drawn from a Score

Currently on view at Beall Center for Art + Technology, an exhibition that features artists whose works come directly from a written, visual or code-based score. From the event scores first developed by John Cage and Fluxus artists in the 1950s, to contemporary uses of code as a score for computational works.... READ MORE...

Ed Atkins: Old Food

For his exhibition at the Martin-Gropius-Bau Ed Atkins has created his largest installation to date: a new series of works that build upon the allegorical possibilities of his particular brand of video making. These new computer-generated videos are installed alognside a vast display of the Deutsche Oper Berlin's costume archive.... READ MORE...

Hybrid Layers. The presence of the digital sphere and its effects on society

The exhibition "Hybrid Layers" focuses attention on a generation of artists who are engaging with the growing presence of the digital sphere and its effects on society. New perspectives on digital technologies, the Internet and social networks are shown, probing both virtual and physical manifestations of an artistic practice that is fundamentally influenced by the digital realm.... READ MORE...

Homeostasis Lab Open Call for Artists @ The Wrong New Digital Art Biennale | DEADLINE 31/01/2018

DIGICULT CALLS & JOBS goo.gl/YyX10V Homeostasis Lab Open Call for Artists 2017/18 - First pavilion to open doors to artist participation in the 3rd edition of The Wrong - New Digital Art Biennale. All works must be "internet-friendly", and belong to any digital art modality (computer art scene, Augmented Reality, Fractal Art, Evolutionary Art, Digital Poetry... check the complete list on the website). OPEN DEADLINE: you can submit as many works as you please, until the event closes on 31/01/2018... READ MORE...

13th Athens Digital Arts Festival | Deadline: 31/01/2017

The elusive transition of digital culture is shaping a future ‘beyond digital’, where the physical and the digital are merging. This futuristic lifestyle is reflected from the coherence of the ‘real – virtual’ boundaries. Yet is post digital the real progress? Exploring this blurry future, we invite artists to ‘transcend’ digital culture and exchange opinions under the theme #PostFuture... READ MORE...

Ingrind Burrington: Reconnaissance

The NOME Gallery in Berlin presents Reconnaissance a new project signed by Ingrid Burrington. An artwork focused on mapping, documentation and identification of the typical elements of the network infrastructure, drawing the attention to the often overlooked or occluded landscapes of the internet... READ MORE...

Codex Anima Mundi. fuse* and the wonderful algorithm

In the countryside surrounding the town of Modena, immersed in peace and silence, a big luminous country farmhouse is home to one of the most up and coming protagonist on the Italian digital art scene: fuse*, a studio for digital art and design founded in 2007 by Mattia Carretti and Luca Camellini.... READ MORE...

Maurizio Martinucci (TeZ): creative investigation in music, art, science

Maurizio Martinucci (aka TeZ) is an Italian interdisciplinary artist and independent researcher based in Amsterdam. He uses technology as a means with which to explore perceptual effects and the relationship between sound, light and space. He focuses primarily on generative compositions with spatialised sound for live performances and installations... READ MORE...

Oscillations by Joris Strijbos

The kinetic installations and the immersive and synesthetic landscapes by Joris Strijbos are visible at the NAME in Berlin. Strijbos plays with the potential of technology to mimic biological systems and combine the algorithmic to the physical world, also he intertwine image, sound and light creating a multisensory choreography.... READ MORE...

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