Audiovideo

And Say the Animal Responded?

What would animals say to us if we listened to them? What might we learn about the state of our shared planet? On 19 March, FACT launches its year of The Living Planet with the opening of a major new art exhibition, And Say the Animal Responded?... READ MORE...

Ed Atkins: Live White Slime

Centering around the video installationSafe Conduct (2016),Live White Slime at the Museum of Contemporary Art Kiasma, is a resigned kind of expiation inside of a Sisyphean loop, that rendered in real and imagined security protocol animations, gratuitously soundtracked by the familiar mechanical wank of Ravel’s Bolero. ... READ MORE...

“Line in the sand”, intervista a Daniele Spanò

"Chaos & cosmos" è il titolo dal carattere universale della tredicesima edizione del CYFEST, che anche quest’anno come di consueto parte da New York. Tra le numerose proposte artistiche la curatrice internazionale Isabella Indolfi, presenta la videoinstallazione di Daniele Spanò, "Line in the sand". Intervista di Caterina Tomeo... READ MORE...

Michael Portnoy Progressive Touch

Vleeshal is about to present Michael Portnoy’s new multi-channel video installation, "Progressive Touch: Series 1" (2019). The goal of this work, as the artist puts it, is to “improve” the rhythm of togetherness.... READ MORE...

Feedback Loops

ACCA’s summer season exhibition "Feedback Loops" presents six immersive installations that explore the material and digital worlds of our past, present and speculative futures.... READ MORE...

Adversarial Feelings. Interview with Lorem

How does the algorithm interpret our irrational demeanors? Is it able to simulate our emotions and to learn the characteristics that are typical of human personality? Lorem with the project Adversarial Feelings analyses the interaction between human and machine with different expressive media: musical, textual and audiovisual. Interview by Teresa Ruffino.... READ MORE...

“Objects and Sounds”. Le immagini come tentativo di rappresentare i suoni stessi

Nel cuore del quartiere San Lorenzo di Roma, si trova il Pastificio Cerere che costituisce un importante spazio di sperimentazione per la capitale. Negli anni Settanta il Pastifico Cerere è stato trasformato da spazio industriale – fabbrica di farina e di pane che riforniva la capitale – a luogo deputato all’arte con un unico obiettivo: condividere l’ideologia del fare e dell’operare come terreno culturale nel quale discutere e incontrarsi ogni giorno. Report di Caterina Tomeo... READ MORE...

“The Redaction Trilogy”: Kennedy Browne in Dublin

Hugh Lane Gallery presents "The Redaction Trilogy", the first solo museum exhibition in Ireland by the collaborative practice of Kennedy Browne (Gareth Kennedy and Sarah Browne). Their collaborative work poses timely and urgent questions around interactions between technology, ideology and politics in this context.... READ MORE...

Sound Art?

The Fundació Joan Miró presents "Sound Art?", an exhibition which reassesses the notion of sound in art and considers the possibility of this category. The show, sponsored by the BBVA Foundation, is set up as a journey tracing the imprint of the sound element in twentieth-century visual arts and led by curator Arnau Horta.... READ MORE...

Digital mistakes and 3D lies. Interview with Karol Sudolski

Teresa Ruffino interviews Karol Sudolski, a young creative currently based in Milan. Together they talk about his introduction to the world of video before, and music after, both happened by accident and about the representation through a visual form of his thoughts in what he defines as the landscape of paranoia.... READ MORE...

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