DIGICULT | Digital Art, Design and Culture

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“The Habitat of Time”: our perception of life, societies and physical world

Announcing a new group exhibition curated by Julie Louise Bacon exploring the role of time as a medium in shaping human and morethan-human worlds, presented in the context of her current residency as associate curator at Arts Catalyst.... READ MORE...

The supermarket of images: the age of globalized iconomies

We live in a world that is increasingly saturated with images. Their number is growing so exponentially—each day more than three billion images are shared on s... READ MORE...

D3US EX M4CH1NA. Art and Artificial Intelligence: unusual and unexplored futures on display at LABoral

The wide use of this type of technology does not always correspond to an in-depth knowledge of their mechanisms, their functioning, their deepest implications, making them a real deus ex machina, which is the significant title of the current exhibition at LABoral. Report by Bianca Cavuti... READ MORE...

“Uncanny Valley: Being Human in the Age of AI”: exploring the relationship between humans and machines

"Uncanny Valley: Being Human in the Age of AI" arrives as the first major West Coast museum exhibition to thicken the discourse around AI through a lens of artistic practice.... READ MORE...

ADA”, a new post-industrial creature

OMM – Odunpazarı Modern Museum in Eskişehir, Turkey is hosting ADA by Karina Smigla-Bobinski, an interactive kinetic sculpture named after Ada Lovelace, one of the world’s first computer programmers.... READ MORE...

Agnieszka Polska: Love Bite, original poetic texts and digitally manipulated imagery

Agnieszka Polska: Love Bite is organized by the Frye Art Museum and curated by Amanda Donnan, C Love Bite presents the US debut of two deeply affecting audiovisual essays that address the urgent global issue of climate change and the specter of mass extinction.hief Curator.... READ MORE...

La nuova Sonosfera, un teatro unico al mondo per l’ascolto tridimensionale di ecosistemi e di musica

Il 6 gennaio 2020 è stato inaugurato il primo teatro eco-acustico d’Italia, presso Palazzo Mosca sede dei Musei Civici a Pesaro, Città Creativa Unesco della Musica.... READ MORE...

Fanfare, the first solo exhibition in the UK by Nevin Aladağ

Hayward Gallery’s HENI Project Space presents Fanfare, the first solo exhibition in the UK by Nevin Aladağ (b. 1972, Van, Turkey). The exhibition brings together videos and sculptures that use sound, rhythm and music to address the differences and tensions between cultures.... READ MORE...

The exhibition “The Question of Intelligence – AI and the Future of Humanity”

The New School’s Anna-Maria and Stephen Kellen Gallery presents The Question of Intelligence — AI and the Future of Humanity, an exhibition focused on artificial intelligence and featuring works created by more than a dozen artists on view from February 7-April 8, 2020.... READ MORE...

Carl Craig in “Party/After-Party”: the intersection between techno and Minimalist sound

Dia Art Foundation has commissioned acclaimed techno DJ and producer Carl Craig to create a sound installation at Dia Beacon in Beacon, New York, in dialogue with the unique architecture of the space. To mark the opening of Carl Craig’s new commission "Party/After-Party",  Dia presents a live performance by Craig and Moritz von Oswald within the installation space.... READ MORE...

Trisha Baga’s solo exhibition “the eye, the eye and the ear”

"the eye, the eye and the ear" is the first institutional show of Trisha Baga in Italy. She grapples with such themes as gender identity, relations between the real and the digital world as well as the impact of technology, and combines different languages and various media including 3D technology, drawing from television and film imagery along with more personal recordings.... READ MORE...

And Say the Animal Responded?

What would animals say to us if we listened to them? What might we learn about the state of our shared planet? On 19 March, FACT launches its year of The Living Planet with the opening of a major new art exhibition, And Say the Animal Responded?... READ MORE...

Ed Atkins: Live White Slime

Centering around the video installationSafe Conduct (2016),Live White Slime at the Museum of Contemporary Art Kiasma, is a resigned kind of expiation inside of a Sisyphean loop, that rendered in real and imagined security protocol animations, gratuitously soundtracked by the familiar mechanical wank of Ravel’s Bolero. ... READ MORE...

Cao Fei: the exhibition “Blueprints” and her new installation “The Eternal Wave”

At the centre of exhibition "Blueprints" will be a new Virtual Reality artwork "The Eternal Wave", produced in collaboration with Acute Art. Based on the exact scale and scanned models of the artist’s studio, Cao Fei seeks to re-explore and re-imagine the past, reflecting the changing nature of humanity.... READ MORE...

When the human meets the nonhuman: the exhibition “Weather Report: Forecasting Future”

The exhibition Weather Report: Forecasting Future in Museum of Contemporary Art Kiasma is themed around the complex and varied relations between the human and nonhuman in an age when climate change and mass extinction are threatening the future of life on Earth.... READ MORE...

“Unhomed”: how destabilise the notion of identity

The exhibition Unhomed also engages with how our bodily experiences inform and transform the city, our physical and mental presence adding new layers of understanding.... READ MORE...

New visions: The first edition of Triennial for Photography and New Media

The inaugural Triennial for Photography and New Media brings together recent work of 31 international artists. Several works are exhibited for the first time and the Triennial is the first major international presentation of its kind in Norway. The first edition of the Triennale is titled New Visions.... READ MORE...

“Sonya Rapoport: biorhythm”, a 21st century portrait

Charting her transition from modernist painter to ground-breaking conceptual artist, Sonya Rapoport: biorhythm provides an in-depth look at the artist’s output from 1974–83, a pivotal decade that marked a major shift in her work from abstract painting to the incorporation of emerging computer technologies.... READ MORE...