iMAL – Brussels
26 / 11 / 2015 – 18 / 12 / 2015

At the invitation of iMAL, Overtoon and Werktank put the activities of their residents in the spotlight in a joint exhibition entitled The State of Things.

The exhibition The State of Things presents recents works by four artists, Mats Dekock, Stijn Demeulenaere, Elias Heuninck and Jeroen Uyttendaele, who were in residency at Overtoon and Werktank in 2014 and 2015. The exhibited works share a particular interest in fleeting moments, that manifest themselves in fractions of sound and light. Can you capture a memory or a moment in electrical circuits?

The works of Jeroen Uyttendaele (Overtoon) and Mats Dekock (Werktank) use electricity as an expressive medium. Uyttendaele uses electricity in its purest form to generate a spark field, while Dekock questions the inner working of our memory and the way we remember things.

The state of things 3The state of things 2

Memory is also the theme of the work of Stijn Demeulenaere (Overtoon), which examines the role of our auditory memory. Elias Heuninck (Werktank) designed a camera, that scans the area and slowly creates an image.

In all these works, a moment or a memory is brought to life with mechanical components. What appears at first to be a rational and scientific approach to reality results in creations with strong emotions. Because they differ from our way of experiencing reality and fail to presents its complexity, they reveal something about human perception. Failure is human, but these installations are a deliberate and desperate attempt to grasp reality with technology, with the intention to create a brutal poetry of the moment.

Overtoon is a platform for sound art, based in Brussels, that produces visual installations with sound as the basis. Werktank is a platform for new and old media art, based in Leuven. They produce and distribute installation art that explores the relationship between technology and perception.

The state of things 4The state of things 5

Overtoon and Werktank each have their own identity and vision, but they also share some similarities. They are among the only production platforms for installation art in Flanders, working at the cutting edge of media arts and visual arts. Although Overtoon focuses on sound and Werktank on visual art, the work of their residents is characterised by a sensory approach to image, light, sound, etc. Technology is an integral part of the artworks, but never a goal in itself.