Collect the WWWorld. The Artist as Archivist in the Internet Age
Curated by: Domenico Quaranta

LINK Center for the Arts of the Information Age

Alterazioni Video (IT), Kari Altmann (US), Cory Arcangel (US), Gazira Babeli (IT), Kevin Bewersdorf (US), Luca Bolognesi (IT), Natalie Bookchin (US), Petra Cortright (US), Aleksandra Domanovic (DE), Harm van den Dorpel (NL), Constant Dullaart (NL), Hans Peter Feldmann (DE), Elisa Giardina Papa (IT), Travis Hallenbeck (US), Jodi (NL), Oliver Laric (DE), Olia Lialina & Dragan Espenshied (DE), Guthrie Lonergan (US), Eva and Franco Mattes (IT), Seth Price (US), Jon Rafman (US), Claudia Rossini (IT), Evan Roth (US), Travess Smalley (US), Ryan Trecartin (US).

The last decade has seen an incredible growth in the production and distribution of images. The availability of inexpensive production tools has seen an exponential rise in amateur creativity, while the Internet provides a new distribution platform for this kind of production, which previously remained private.

What is the impact of this process on art practices and the artist – in the past, the sole, hallowed depositary of the creative gesture? What kind of dialogue is there between amateur practices and codified languages?

Collect the WWWorld. The Artist as Archivist in the Internet Age sets out to demonstrate how the Internet generation is implementing and developing a practice started in the Sixties by Conceptual Art, and further developed in subsequent decades in the forms of Appropriation Art and postproduction: the practice of exploring, collecting, archiving, manipulating and reusing huge amounts of visual material produced by popular culture and advertising. Collect the WWWorld is an attempt to show how art responds to the information society.

The show will be accompanied by the publication of two new books by LINK Editions: the essays collection Post Internet, by Gene McHugh, and the artist book Folksomy, by the Dutch duo JODI. The research work around the show can be followed on the blog