Lost your password?

DigiMag

Kengo Kuma: “Time Flows, and So Should The Architect”. The new Time-Space-Existence video

Redazione Digicult
Produced by PLANE—SITE, the video has been commissioned by the GAA Foundation and funded by the ECC in the run-up to the Time-Space-Existence exhibition during La Biennale di Venezia Architettura, this new short video features one of Japan’s most significant living architects Kengo Kuma, meditating on how a financial crash became an opportunity for learning.... READ MORE...
DigiMag

Detached from yourself. Therefore Under Control – Part 2

Mauro Arrighi
One peculiar aspect concerning the use of technology formulated by Japanese artists it is shown by the constant interplay between the oneiric (relating to dreams) and science-fiction alike worlds depicted both by Japanese and American novelists and the content and/or the technique deployed in the artworks. The fictional, technological-empowered and otherworldly novels are taken as a main reference in Electronic Art; or are it true the other way round?... READ MORE...
ArticlesDesignDigimag - Issue 72, March 2012

A Taste of Sonar. South Africa Deals with Avant Guard

Ludovica Amoroso
Sonar of Barcelona, an International festival of Advanced Music and Multimedia Art, landed for its 19th Indaba Design edition (from 29th February to 4th March) in Cape Town, by using a completely new special format. In order to know more about that, we asked Georgia Taglietti, Head of the International Media Department of Avanced Music (the organization which, every year, arranges Sonar event), to describe this new partnership.... READ MORE...
ArticlesDigimag - Issue 72, March 2012

Post Internet and Post Galleries. Conor Backman and The Reference Gallery

Robin Peckham
One of the founders of Reference Gallery, which could reasonably be called one of the best small-town galleries in the world, Conor Backman also happens to be a BFA student at Virginia Commonwealth University in Richmond, VA. Open since the fall of 2009, Reference has come to define the growing inertia in post-internet art with a constant flux between physical exhibitions, digital circulation, and distributed networks of attention.... READ MORE...
ArtArticlesDigimag - Issue 72, March 2012

Can Digital Be Art? Its Time For Analysis

Lorenzo Taiuti
Periodically, as it happens in all expressive art forms, we need to ask ourselves about where we come from and which our own shapes and contents are. All that goes also for the ever-changing field affected by New Media’s “hyper-speed”. For more than two decades I’ve been trying to trace the relationships between Digital Art and Video Art on the one hand, and those established between Digital and the most specific field of Contemporary Art, on the other.... READ MORE...
ArtArticlesDigimag - Issue 72, March 2012

Virtuality. Aesthetic Experience and Curatorial Design

Lucrezia Cippitelli
Vince Dziekan is an artist, art historian, and curator who has dedicated his research and practice to explore of the concept of “Virtuality”. Specifically, Dziekan has been working on the space (intended as exhibition space and the one where artworks can be enjoyed and experienced) and influence that new digital technologies have had on its transformation and organization.... READ MORE...
ArtArticlesDigimag - Issue 72, March 2012

Heath Bunting: Identity Bureau. Against Residual Self-Image

Ida Hirsenfelder
Identity Bureau was established by Heath Bunting to construct a custom-made physical person for the user, who would be able to function freely in society. The activities of the bureau extend also to instructions for other users to construct their own new identities. It undermines the habitual ways of climbing the social ladder and offers an alternative system to the dictate of there being a one and only "official" identity allocated to the individual by the state authorities.... READ MORE...
ArticlesDigimag - Issue 72, March 2012

Transmediale 2012: Screening. Unusual Pictures For Unusual Times

Claudia D'Alonzo
Satellite stories is the title of the video program. It consists of eight different screenings, curated by Marcel Schwierin. A very successful aspect of Schwierin’s curatorial work was the capacity to transcend the division between language and distribution channels, by mixing works conceived for the net and works anchored to the cinema tradition, video art, and other performative and audiovisual works... READ MORE...
ArticlesDigimag - Issue 72, March 2012