I didn't know Nicolas Clauss until a few months ago, when I occasionally read the communicate of the Bananram Festival that announced the purchase of one of his work Scalpe for 15.000 euros. Maria Rita Silvestri , director and curator of the festival, defines the work as 'characterized by a strong European identity' and states that 'he contaminates with poetry the digital instrument'. My curiosity was already going sky-high and in less than one sec I was on his site. I there discover a complex work, educated but involving at the same time, where analogical dialogues with digital openly, creating evocative, poetic, challenging images.
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