Activism

Machine Learning by Ethem Alpaydin, MIT Press, 2016

“Machine Learning” has been released in November 2016 and written by Ethem Alpaydin. The MIT Press Essential Knowledge series offers concise, accessible overviews of compelling topics. Written by leading thinkers, the volumes provide expert syntheses of subjects ranging from the cultural and historical to the scientific and technical, “synthesising specialised subject matter for non-specialists”.... READ MORE...

Evidentiary Realism

“Evidentiary Realism” features artists engaged in investigative, forensic, and documentary art. The exhibition aims to articulate a particular form of realism in art that portrays and reveals evidence from complex social systems. The truth-seeking artworks featured explore the notion of evidence and its modes of representation.... READ MORE...

Blowing the Whistle, Questioning Evidence – Web Residencies 2017 by Solitude & ZKM DEADLINE 10/03/2017

What's the role of art in the framework of whistleblowing and leaking? Which kind of tactics and strategies for resistance can we imagine within the technologic paradigm and beyond it? "Blowing the Whistle, Questioning Evidence", the CALL. No.1 for Web Residencies 2017 by Akademie Schloss Solitude & ZKM - Zentrum für Kunst und Medien Karlsruhe, curated by Tatiana Bazzichelli, explores the potentialities of technologies for social and political change. Artists, hackers, computer scientists, activists and critical thinkers are invited to send their proposals. Application period: 27/02 - 10/03/2017... READ MORE...

On the Far Side of the Marchlands

A “marchland” is a medieval term for a borderland beyond direct state control, governed by changing laws and rules. The exhibition On the Far Side of the Marchlands explores the potential of radically new topographies through border regions (marchlands) created by the artists, composed from inextricably linked realms of experience, culture, and materiality.... READ MORE...

Blacklist #1: The militarisation of Police

Blacklist is a series of public documentary film screenings and accompaning panel sessions thematically grouped around the significant societal and environmental challenges of our time. Themes include Militarisation of Police, Automated Systems and Artificial Intelligence, Mass Surveillance, 21st Century Fascism, Over-consumption, The 6th Mass Extinction, Food Security and Climate Change.... READ MORE...

How much of this is fiction

Showing at FACT (Foundation for Art and Creative Technology), the exhibition How much of this is fiction. focuses on politically inspired media art that uses deception in all its forms. The desire is to address one of today’s most urgent political issues: the radical shift in the boundary between fiction and reality in public discourse, in a world increasingly governed by "post-truth" politics... READ MORE...

The 3D Additivist Cookbook. Edited by Morehshin Allahyari & Daniel Rourke

The 3D Additivist Cookbook, devised and edited by Morehshin Allahyari & Daniel Rourke, is a free compendium of imaginative, provocative works from over 100 world-leading artists, activists and theorists. The 3D Additivist Cookbook contains 3D .obj and .stl files, critical and fictional texts, templates, recipes, (im)practical designs and methodologies for living in this most contradictory of times.... READ MORE...

John Gerrard: Power. Play

From June 9 to August 7, the Ullens Center for Contemporary Art (UCCA) presents John Gerrard: Power.Play. The artist that during his career has explored the use of post-cinematic and the surveillance phenomenon, inventing virtual worlds infected with the real, by operating with the new tech systems in isolated locations.... READ MORE...

Reset Modernity!

At the ZKM (Center for Art and Media) in Karlsruhe is present, from April, the collective exhibition Reset Modernity! That drives the visitors to experience the resetting modernity for redirect the confused signals suggested from our age, by taking alternative routes in which our choices become primary.... READ MORE...

Breaking news

Through very different languages Alterazioni Video, Filippo Minelli and Carlo Zanni burst in real and / or constructed scenarios imagining a turning point, the arrival of an external event, something probably envisioned, but never fully understood, to change both the perception of the landscape as a political result both the relationship with the information and what it alters or keeps silent.... READ MORE...